In Conversation
In Conversation is a podcast produced by 2MBS Fine Music Sydney. Each episode features host Simon Moore in discussion with a guest from the artistic world, covering details of their life both mundane and significant. The guest also shares musical selections that hold personal meaning.
Episodes
Bomsori Kim: Sound of spring
South Korean violinist Bomsori Kim has quickly earned an enviable reputation on the international concert stage, performing with leading orchestras around the world and at some of the most prestigious international festivals. Making her Australian debut with the Sydney Symphony Orchestra for Tchaikovsky’s Violin Concerto, Bomsori reflects on her long-standing affection for the work, her first enco
Pieter Wispelwey: The inner dialogue
Dutch cellist Pieter Wispelwey has spent more than four decades building a career defined by curiosity, individuality and a refusal to regard any interpretation as finished. Equally at home on modern and period instruments, he has repeatedly returned to the great works of the cello repertoire, recording Bach’s Cello Suites three times and Benjamin Britten’s suites four times. In this conversation,
Pekka Kuusisto: Genre optional
Pekka Kuusisto has never been especially interested in staying neatly within musical boundaries. The Finnish violinist, conductor and composer returns to Australia to guest direct the Australian Chamber Orchestra’s Legends and Luminaries program, bringing with him the curiosity, spontaneity and collaborative spirit that have become hallmarks of his work. He reflects on the ACO’s influence on his o
Simon Phillips: On the edge of our seats
Simon Phillips has spent more than four decades at the heart of Australian theatre, directing everything from Shakespeare and contemporary drama to blockbuster musicals and opera. In Sydney directing the Australian premiere of Steven Moffat’s The Unfriend for Sydney Theatre Company, Simon reflects on the precision required to make comedy work and how the audience’s laughter becomes another member
Andrew O'Connor: Bass transformations
Bass-baritone Andrew O’Connor has built a remarkably varied career spanning opera, chamber music, choral repertoire and contemporary Australian work. In this conversation, Andrew discusses Transformations, his new album with Van Diemen’s Band, which journeys through early German Baroque music while pairing works by composers including Schütz and Buxtehude with newly commissioned responses from Bro
Stephen Layton MBE: Let the music take off
Stephen Layton has spent his life exploring what happens when people come together to make music. In Sydney to conduct the Sydney Symphony Orchestra and Sydney Philharmonia Choirs in Mozart’s Requiem and other works, he reflects on the balance between instinct and preparation, having examined the famous piece note by note in preparing his own performing edition.The conversation traces Stephen’s st
Claire Edwardes OAM: The revolutionary in me
Percussionist Claire Edwardes has spent her career expanding the possibilities of her instrument and championing the music of our time. In this conversation, Claire reflects on her unlikely path from piano to percussion, the technical and physical demands of instruments such as marimba and vibraphone, and the sense of freedom she discovered in playing music without centuries of performance traditi
Nathaniel Parker: He's just an ordinary man
Olivier Award-winning British actor Nathaniel Parker has built a distinguished career across theatre, film and television, from the Royal Shakespeare Company and The Merchant of Venice opposite Dustin Hoffman to Wolf Hall and the long-running BBC series The Inspector Lynley Mysteries. In this conversation, Nathaniel reflects on the experiences that have shaped him as an actor, the lessons he has c
Sir Howard Panter: Let him entertain you
Few people have had a greater influence on modern theatre than Sir Howard Panter. As co-founder of Trafalgar Entertainment, he oversees a global network of theatres and productions, including Sydney's Theatre Royal, while producing acclaimed shows such as Fiddler on the Roof, Jersey Boys, The Lehman Trilogy and many more. In this conversation, Sir Howard reflects on why timeless works continue
Alexander Briger AO: Bringing it home
Conductor Alexander Briger has built an extraordinary international career, working with orchestras and opera companies across Europe and Australia, while also creating one of this country’s most ambitious musical projects: the Australian World Orchestra. As the AWO celebrates 15 years, Alexander reflects on how an idea originally intended as a one-off became an ongoing orchestra bringing together
Håkan Hardenberger: One lifetime is not enough
Swedish trumpeter Håkan Hardenberger has spent more than four decades redefining what is possible on his instrument, inspiring composers to create a remarkable new body of repertoire along the way. In Sydney to conduct and perform with the Sydney Symphony Orchestra, Håkan discusses HK Gruber’s Aerial Trumpet Concerto, one of many works written especially for him, and the extraordinary techniques a
Arve Henriksen: Collecting sounds
Norwegian trumpeter Arve Henriksen has forged one of the most distinctive voices in contemporary music, blurring the boundaries between jazz, folk, ambient soundscapes and improvisation. Joining the Australian Chamber Orchestra for its From Winter's Stillness tour, Arve discusses the inspirations behind this unique collaboration, his long-standing musical partnership with Trio Mediæval, and ho
Gemma Nha: More than a glow up
Australian soprano Gemma Nha has taken an extraordinary path from singing Katy Perry songs on The Voice Kids to performing on some of the world's leading opera stages. After studying at the Sydney Conservatorium, the University of Music and Performing Arts Vienna and The Juilliard School, and following engagements with the Lyric Opera of Chicago and Vienna's Volksoper, she returns home to
Tahu Matheson: The real power of opera
Conductor, pianist and Opera Australia Head of Music Tahu Matheson joins In Conversation ahead of the Sydney season of The Drover's Wife, the acclaimed new Australian opera by George Palmer and Leah Purcell. Tahu explains why he believes the story is perfectly suited to opera, reflecting on the emotional power of the singing voice, the accessibility of Palmer's score, and his experience of
Benjamin Beilman: Songs without words
Internationally acclaimed American violinist Benjamin Beilman joins In Conversation while in Sydney to perform Mendelssohn's Violin Concerto with the Sydney Symphony Orchestra. Renowned for the intensity and poetry of his playing, Ben reflects on his remarkable musical journey, from singing as a choirboy in Atlanta and beginning violin lessons through the Suzuki method, to studying at the Curt
Emma Pearson: Passion is the smell of an oily rag
Australian soprano Emma Pearson has built an extraordinary international career, performing with leading opera companies across Europe, Australia and New Zealand. After spending nine years as a principal artist with the Hessisches Staatstheater Wiesbaden in Germany – where she was later honoured with the prestigious title of Kammersängerin – Emma has returned to this side of the world while contin
Renato Dolcini: The musician's voice
Italian bass-baritone Renato Dolcini has become one of the most distinctive voices on the international Baroque scene, having performed with some of the world’s best, including William Christie, Sir John Eliot Gardiner, Giovanni Antonini and Cecilia Bartoli. In this conversation, Renato reflects on his long-standing relationship with the Australian Brandenburg Orchestra and Artistic Director Paul
Lawrence Power: Accidental violist
Internationally acclaimed violist Lawrence Power joins In Conversation while in Sydney to guest direct the Australian Chamber Orchestra’s Isles of Light program, a musical journey through the British Isles that traces a line from Renaissance composers such as Tallis through to contemporary voices including Jonny Greenwood and Kate Bush. Lawrence reflects on the distinctive character of British mus
Andrew Bevis: Some people got it
Actor, director, musical director and theatre entrepreneur Andrew Bevis has enjoyed a remarkable career spanning Australia and London’s West End, performing in major productions including Les Misérables, Hello, Dolly!, Rocky Horror and Jerry Springer: The Opera, while also working extensively behind the scenes as a musical director and creative collaborator. In this conversation, Andrew discusses
Stefan Dohr: Soul of the orchestra
Widely regarded as one of the world's finest horn players, Stefan Dohr has been Principal Horn of the Berlin Philharmonic since 1993. In this conversation, Stefan reflects on the remarkable journey that took him from a musical childhood in Essen – where he initially played the viola alongside his brothers – to one of the most coveted positions in the orchestral world. He shares memories of dis
Madeleine Easton: For the love of Bach
Australian violinist Madeleine Easton has built an international career as a soloist, concertmaster and director, performing with some of the world’s leading period and modern ensembles, including the English Baroque Soloists and the Orchestre Révolutionnaire et Romantique under Sir John Eliot Gardiner. In this conversation, Madeleine reflects on the extraordinary journey of founding Bach Akademie
Dale Barltrop: A chamber concertmaster
Highly accomplished Australian violinist Dale Barltrop has recently concluded a 10 year tenure as Concertmaster with the Melbourne Symphony Orchestra, having previously held that position with the Vancouver Symphony Orchestra. He’s also appeared as Concertmaster with the Australian World Orchestra, and guest directed the Australian Chamber Orchestra and Camerata. Since 2016, he’s been first violin
Blazey Best: Yours sincerely, a jobbing actor
Award-winning actress and director Blazey Best has spent more than three decades working across theatre, television and film. Her theatre credits include Arcadia and Travesties for the Sydney Theatre Company, The Wild Duck for Belvoir, and The Glass Menagerie for the Ensemble, winning Sydney Theatre Awards for her roles in Ivanov, Medea and Miracle City. She’s appeared in a slew of television favo
Suzy Eddie Izzard: That is the question
A comedian and actor who has made audiences around the world laugh for 40 years, Suzy Eddie Izzard, known professionally as Eddie Izzard, began her comedy career in famous London venues including the Comedy Store and the Ambassador Theatre, has appeared in plays on the West End and Broadway (including a Tony nomination for her performance in A Day in the Death of Joe Egg), and appeared in many tel
Lynn Ahrens: Writing people's hearts
An award-winning lyricist and writer for film, TV, and musical theatre, Lynn Ahrens has collaborated with composer Stephen Flaherty on a slew of popular musicals, including Anastasia for both film and stage, Ragtime, Once on this Island, Seussical, A Man of No Importance, and many others. She’s been nominated for two Academy Awards, two Golden Globes and won the Tony for Best Original Score for Ra
Pamela Rabe AM: Diving into the music of language
One of Australia’s pre-eminent actresses, Pamela Rabe has graced our stages and screens for over four decades. Her list of credits is vast, having appeared in seminal plays, from Private Lives and The Glass Menagerie, to God of Carnage and August: Osage County. She’s also no stranger to the screen, most notably for her portrayal of Joan Fergusson in Wentworth. She’s received countless nominations
Sir Donald Runnicles: In an ocean of music
A conductor with an impressive career that now spans 45 years, Sir Donald Runnicles has had enduring relationships in chief artistic leadership positions at many organisations around the world – Deutsche Oper Berlin, the Scottish Symphony Orchestra, the Sydney Symphony Orchestra, the Grand Teton Music Festival amongst many others, with his newest position as Chief Conductor of the Dresden Philharm
Alan Menken: A whole new world
A composer who has been capturing our imaginations for over 40 years, Alan Menken is best known for his stage and screen compositions for a slew of Walt Disney films and subsequent stage musicals. He was one of the creative powerhouses behind what has become known as the Disney Renaissance, composing for The Little Mermaid, Beauty and the Beast, and Aladdin amongst many other titles. And that was
Sheridan Harbridge: Awards for disobedience
A fiercely original voice in Australian theatre, Sheridan Harbridge is an artist who moves fluidly between acting, writing and directing, and who thrives on the adrenalin of making new work. In this wide-ranging conversation, she speaks about her latest projects, including co-writing the book for the new Australian musical My Brilliant Career, based on the Miles Franklin novel, returning to the st
Sam Weller: The infinite possibilities of sound
A conductor who has been making a name for himself in both Australia and Europe, Sam Weller has conducted top tier orchestras including the Rotterdam Philharmonic, the Orchestra of the 18th Century and the Dutch Radio Philharmonic, as well as our own Adelaide, Tasmanian, West Australian and Queensland Symphony Orchestras. In a wide-ranging conversation that moves from bold contemporary programming
Jarrod Draper: Knowing who you are
Musical theatre performer Jarrod Draper steps into the role of Raoul in Andrew Lloyd Webber’s The Phantom of the Opera for the spectacular Handa Opera on Sydney Harbour. A proud Wiradjuri man and the first Indigenous graduate of WAAPA’s musical theatre program, Jarrod reflects on the journey that led him to this moment – from growing up in Orange in a sports-loving family to discovering musical th
Lauren Fagan: The making of an international soprano
An Australian soprano admired by international critics for her “glossy, commanding sound” and “magnificent dramatic power”, Lauren Fagan is one of the most impressive and versatile sopranos on today’s stages. She’s performed roles with the Canadian Opera Company, Scottish Opera, the Glyndebourne Festival, Opernhaus Zürich, and Opéra de Paris, and many others, for roles ranging the full spectrum fr
Simone Lamsma: At home in music
A violinist hailed for her “brilliant, polished, expressive and intense, absolutely stunning playing,” who is respected by critics, peers and audiences alike, Dutch born Simone Lamsma has an extensive repertoire, having performed with the world’s top orchestras. She’s played with the New York and London Philharmonics, the Royal Concertgebouw and Vienna Symphony to name just a tiny fraction, and wo
Andrea Battistoni: Music as a second language
Recognised as one of the most dynamic and internationally acclaimed conductors of his generation, Andrea Battistoni has conducted in many of the world’s leading opera houses, including Covent Garden and Deutsche Oper Berlin. He’s currently music director with Teatro Regio di Torino, chief conductor of the Tokyo Philharmonic Orchestra, and has just commenced another role – as Music Director of Oper
Rupert Noffs: He’s just a Broadway baby
Rupert Noffs is a singer, actor, writer and producer who works across cabaret and musical theatre, as well as live comedy and television. He’s recently twice toured the country as Bob Downe’s wide-eyed nepo-nephew in Choose Bob: 40 Ridiculous Years and is a founding performer in Old Friends Sing Sondheim. Rupert’s life story goes well beyond that, though, as he’s also a successful restaurateur, ha
Mitchell Butel: Curating the space for difference
An actor, writer, director and artistic director who is now a major force in Sydney’s theatrical scene, Mitchell Butel has come a long way from bursting onto the stage for his Sydney Theare Company debut in Six Degrees of Separation 35 years ago. Now the STC’s artistic director, he is presenting his first full season, coming to the role after a five-year stint as artistic director of the State The
Dejan Lazic: Kicking goals in every key
A pianist whose fresh interpretations have established him as one of the most unique and unusual soloists of his generation, Dejan Lazic has performed with some of the world’s leading orchestras, among them the Chicago Symphony, the London Philharmonic, the Royal Concertgebouw and the Tokyo Symphony. He’s recorded 16 albums, and been lauded by critics, with Die Spiegel magazine praising his “grand
David Elton: Shaping sound
Principal trumpet of the Sydney Symphony Orchestra, David Elton, speaks about his career at the very top of the orchestral world and his ongoing commitment to new music. He discusses his collaboration with Australian composer Lachlan Skipworth, including the upcoming premiere of a new double concerto for trumpet and clarinet with the Omega Ensemble, and reflects on what it means to help shape a wo
Margaret Plummer: Viennese fairy tales
Vienna-based Australian mezzo-soprano Margaret Plummer is beloved by audiences in Australia and Europe. She spent eight years as a principal artist with the Vienna State Opera, and she’s sung with orchestras from the Vienna Philharmonic to the Tasmanian Symphony Orchestra, and at La Scala and Bayreuth. She’s back in Sydney performing again with Opera Australia, for a role she is very familiar with
Caroline O'Connor AM: Putting it all together
Award-winning actress, singer, and dancer Caroline O’Connor has spent over four decades performing in Australia as well as in the West End and on Broadway. She came to world attention thanks to her role in Baz Luhrmann’s film Moulin Rouge! in 2001, but she’d already been on stage for the 20 years prior to that in a slew of theatre productions. From Helpmann-winning turns as Judy Garland and Edith
Andrew McFarlane: The boy next door
In Conversation kicks off 2026 by welcoming an actor who has graced our stages and screens for over 50 years. Andrew McFarlane has appeared in seminal Australian television dramas, including Division 4, The Sullivans, Patrol Boat, The Flying Doctors, and Underbelly. His theatre credits are just as long, appearing in classics such as The Glass Menagerie, Who’s Afraid of Virgina Wolf, and King Lear.
Winsome Evans OAM BEM: Renaissance woman
For the final program of 2025, Simon Moore was invited into the home of a trailblazer of early music performance – not just in Australia, but also in the wider world. Winsome Evans founded The Renaissance Players in 1959, and quickly became a leader in the field. She appears on 33 albums, and has the aptitude to have taught herself to play that many instruments too. She’s also a composer, having w
Kris Nelson: Creating future facing festivals
Sydney doesn’t put away its party hats after the New Year is rung in, because from January 8, the city comes alive once again for the Sydney Festival. Simon Moore sat down with new Festival Director Kris Nelson to provide some highlights of the upcoming festival and revealing his hopes and ambitions for it as it reaches half a century.Festivals are very much in Kris Nelson’s blood, having just fin
Andrew Ford OAM: The shortest history of Andrew
A composer, writer, and presenter, Andrew Ford is a unique and highly valued voice in Australia’s musical landscape. His music has been heard all around the world, from Sydney to New York, and London to Singapore. It’s been conducted by Jeffrey Tate and Benjamin Northey, played by Piers Lane and Lisa Moore, and sung by Yvonne Kenney and Teddy Tahu-Rhodes. He’s educated us with his 11 books, most r
Mark Kilmurry: Dial E for Ensemble
One of the key figures of Sydney’s theatre scene, UK born Mark Kilmurry has written, directed and performed in countless theatre productions around the world. He’s had a long association with the Ensemble Theatre, first as an actor, then associate director, and since 2016 he’s been their sole artistic director. In this conversation, Mark delves into the early influences of his mother’s comedy writ
Carolyn Sampson OBE: She likes to sing
Internationally acclaimed and award winning soprano Carolyn Sampson has had an unusually organic rise to the world stage – from her formative years in Bedfordshire’s exceptional youth music programs to early encouragement from influential mentors like Geoffrey Skidmore and Harry Christophers. Equally at home on the concert and opera stages, she has appeared with the Gewundhaus, BBC Philharmonic, a
Ana de la Vega: The poetry of persistence
A chance encounter with Mozart’s Flute and Harp Concerto changed Ana de la Vega’s life forever. It inspired her so much that she is now one of the most sought-after flautists of her generation, praised for her crystal clear and velvety tone. She has appeared in some of the world’s most prestigious venues, including Philharmonie Berlin, the Concertgebouw in Amsterdam, and London’s Wigmore Hall. No
Richard Tognetti AO: Making waves
Under Richard Tognetti’s leadership, the Australian Chamber Orchestra has come to be regarded as one of the world’s finest ensembles. In this wide-ranging and candid conversation, Richard reflects on 35 years at the helm, as well as his international orchestral appearances as director or soloist. Equally at home on the period, modern and electric violins, he has also created dozens of arrangements
Steven Kramer: A musician who stops the nation
A music director, pianist, composer, producer and cabaret performer, Steven Kramer has worked on a diverse array of musicals, from Little Shop of Horrors to Calamity Jane and from Assassins to Rent, winning the Sydney Theatre Award for Best Musical Director for Jekyll & Hyde. He’s played piano with the Sydney Symphony Orchestra and Kate Ceberano, and for productions of The Sound of Music and F
Daniel Müller-Schott: View from a cello
One of the world’s most sought-after cellists, Daniel Müller-Schott performs on all the international concert stages, whether it’s with the New York Philharmonic, the London Symphony Orchestra, or the Gewandhaus Orchestra. He’s worked with the world’s greatest conductors, including Neeme Järvi, Andris Nelsons and Simone Young, and recorded over 30 albums for a diverse array of labels. He also enjo
Cathy-Di Zhang: A requiem for life
Award-winning Australian soprano Cathy-Di Zhang has performed extensively with Opera Australia as well as for Victorian Opera and the State Opera of South Australia. She has sung with the Melbourne Symphony Orchestra, the Perth Symphonic Chorus and as a soloist with orchestras and chamber groups throughout Europe and Asia.In this conversation, Cathy-Di reflects on her somewhat unconventional journ
Peter Phillips: A Tallis scholar
The “Rock stars of Renaissance music” is how The New York Times described the award winning British vocal ensemble The Tallis Scholars. Founder and artistic director Peter Phillips has devoted his life to creating the ideal choral sound, and exploring many neglected gaps in the polyphonic repertoire. He’s also commissioned many contemporary composers including Eric Whitacre, John Tavener and Nico
Meow Meow: Red shoe cabaret
As a self-described “post-post modern diva”, Meow Meow is one of the world’s most outstanding cabaret artists. She has played to sold-out venues from London to New York, and Berlin to Sydney. Winner of the Edinburgh Fringe Prize in 2010, and a Helpmann Award in 2012, she’s performed with the great Barrie Humphries, been commissioned by David Bowie, and created roles in London’s West End. Berliner
Martin Baker: Inspired by tradition
British organist Martin Baker has spent a lifetime at the keyboard, from the moment he first touched the instrument as a child to his twenty years as Master of Music at Westminster Cathedral. Along the way he has become one of the world’s most sought-after organists, known especially for his dazzling improvisations.Martin reflects on the twists of fate that shaped his career, from early lessons on
John Rando: Those Broadway melodies
Tony Award-winning director John Rando has staged some of Broadway’s most inventive and entertaining productions – from Urinetown to On the Town, The Wedding Singer to Mr. Saturday Night. He was one of the creative forces behind the stage musical version of Back to the Future in both the West End and on Broadway, which he is now bringing to Australia.In this lively and wide-ranging conversation, J
Tara Morice: Strictly speaking
Tara Morice has been a beloved presence on Australian stage and screen for more than three decades. Best known for her breakout role as Fran in Baz Luhrmann’s Strictly Ballroom – a performance that earned her BAFTA and AFI nominations – Tara has built a career across film, television and theatre that is as varied as it is enduring.In this wide-ranging conversation, Tara reflects on the global phen
Genevieve Lacey: Recorder passions
The repertoire of Australia’s leading recorder virtuoso, Genevieve Lacey, ranges from medieval manuscripts to cutting-edge contemporary commissions. She has a love of both the very old and the very new in music, performing on an instrument that has become a bridge between worlds that are centuries apart.She discusses her remarkable journey, from growing up in Papua New Guinea, to her musically for
Brett Weymark OAM: Shaping Australia’s choral voice
Brett Weymark has spent over two decades as Artistic and Music Director of the Sydney Philharmonia Choirs, shaping the sound of one of Australia’s leading choral organisations. Along the way he has conducted every major Australian orchestra, worked with Opera Australia and Pinchgut Opera, and even brought his skills to the big screen conducting film scores including Happy Feet and Mad Max: Fury Ro
Alice Giles AM: On her own terms
Few musicians have expanded the horizons of their instrument quite like harpist Alice Giles. From winning the Israel International Harp Contest at just 21, to acclaimed performances across Europe and America, Alice has become one of the world’s most celebrated harpists — praised for her artistry, imagination and technical brilliance. But her journey has not always been conventional: she’s performe
Brittanie Shipway: Stories with heart and heritage
Actor, director, playwright, and singer Brittanie Shipway has worn just about every creative hat there is – and worn them brilliantly. From starring in The Dismissal, Chess, and The Pirates of Penzance to writing her own acclaimed play A Letter for Molly, Brittanie’s career is a tapestry of performance, storytelling, and cultural connection.In this conversation, Brittanie shares the vision behind
Michael Collins MBE: A life well played
One of the foremost clarinettists and leading artists of his generation, Michael Collins has shared his dazzling virtuosity and sensitive musicianship to audiences the world over. He’s served as the principal of the Philharmonia Orchestra and London Sinfonietta, and has been conductor of several orchestras, including serving as principal conductor of the City of London Sinfonia for most of the 201
Joanna Forbes L'Estrange: A season to sing
Whether as a singer and musical director of The Swingle Singers, or composing choral works that are sung across the globe, or championing women in music, Joanna Forbes L’Estrange has made an indelible mark on the choral and jazz worlds alike. In this wide-ranging and deeply personal interview, Joanna reflects on her remarkable musical journey – from a childhood shaped by foster care and early sing
Toby Schmitz: The play's the thing
One of Australia’s most talented creatives, Toby Schmitz is a beloved actor on stage (including Broadway) and screen, from the works of Shakespeare and Tom Stoppard to TV dramas such as Black Sails and The Pacific. He’s directed at the Darlinghurst Theatre and The Old Fitz, and is also a playwright, winning the Patrick White Award for his play Lucky in 2002. And as if that weren't enough, he’s
Danielle de Niese: The coolest soprano in the house
The New York Times Magazine dubbed Danielle de Niese as “opera’s coolest soprano”. Melbourne born, she has gained worldwide acclaim for her beautiful stagecraft, and superb communication. She regularly appears on the world’s most prestigious opera and concert stages, from Hamburg to New York, and from Glyndebourne to the BBC Proms. She has six solo albums to her name, and has won an Emmy for her T
Nicole Car: From jazz to the silvery moon
An Australian soprano who has established herself as one the leading artists of her generation, Nicole Car is a fixture at all of the world’s top opera houses, be it the Met, the Royal Opera House Covent Garden, Opéra National de Paris, or the Sydney Opera House. She’s praised for her beautiful, rich timbre and unique musicality, with Limelight magazine speaking recently of her unfailingly clear a
Mark Vincent: Songs from the heart
One of Australia’s most beloved tenor crossover artists, Mark Vincent burst into our consciousness thanks to a stirring rendition of Nessun Dorma on Australia’s Got Talent in 2009, and never looked back. He has performed in venues around the world, and eight of his albums to date have topped the ARIA Classical Crossover charts. He’s also performed in musical theatre, from Dirty Dancing to My Fair
Sam Allchurch: Creating a perfect harmony
Conductor and music director Sam Allchurch’s repertoire spans the works of Bach and Handel through to contemporary works by Australian composers. The Sydney Morning Herald said that under his leadership, “Sydney Chamber Choir’s singing is as nuanced and refined as ever, and their spirit abounds in hope”.Sam returns to In Conversation to discuss the Sydney Chamber Choir's 50th anniversary gala,
Helena Rathbone: Violinist unleashed
Helena Rathbone has long been a central and beloved figure in Australia’s musical life. As Principal Violin and sometimes leader of the Australian Chamber Orchestra, she brings both incisive musicianship and deep artistic integrity to everything she touches. She’s equally at home leading string ensembles, mentoring young musicians, or stepping into a solo spotlight.In this wide-ranging and warm in
Eamonn Dougan: Adventures of a choral chihuahua
Associate Conductor of The Sixteen, Eamonn Dougan has built a reputation as an inspirational communicator with a wide-ranging and adventurous repertoire. In addition to his work with The Sixteen, he is the founding director of Britten Sinfonia Voices and Music Director of the Thomas Tallis Society. The website Bachtrack perhaps sums him up best, praising his “remarkable knack for finding the perfe
Luke Spicer: The making of a modern maestro
One of Australia’s foremost young conductors, Luke Spicer has appeared as guest conductor of the Tasmanian, Queensland, and Canberra Symphony Orchestras, and as a conductor and music director with Opera Australia. He’s also been guest Assistant Conductor at the Bruckner Orchestra Linz, the Saarländisches Staatstheater of Saarbrücken, and with the Sydney Symphony, working with both Simone Young and
Susannah Lawergren: Singing across centuries
Susannah Lawergren has developed a reputation as a beautifully clear soprano with “stunning vocal expression” and “compelling stagecraft”. A principal artist with both The Song Company and Bach Akadamie Australia, she’s also performed with our other top ensembles, from Sydney Chamber Choir and Opera Australia, to Cantillation and Ensemble Offspring, plus has appeared at the Sydney and Adelaide Fes
Sally-Anne Russell: Phantom phases to passion projects
One of Australia’s finest mezzo-sopranos, multi-award-winner Sally-Anne Russell has a career spanning over 80 operatic roles and performances on some of the world's most prestigious stages. She is celebrated for her rich, expressive voice and captivating artistry. From Baroque masterpieces to contemporary works, Sally-Anne has enchanted audiences across the globe. She’s worked with luminaries from
Michael Ball OBE: A simple complicated man
A man who can only be described as musical theatre royalty, Michael Ball made his West End debut in 1985 as Marius in the original cast of Les Misérables. He went on to play the lead role of Alex Dillingham in Andrew Lloyd Webber’s Aspects of Love in both the West End and on Broadway. He’s appeared in a long string of musicals covering all parts of the repertoire – The Phantom of the Opera, Sweene
Ali McGregor: Runaway soprano
Described as a renegade opera star and cabaret artist, Ali McGregor began her career as a principal soprano with Opera Australia before running away to the circus to become an award winning cabaret performer. Nominated for an ARIA in 2014, she went on to win both a Green Room and Helpmann Award in 2015. She’s one of the most in-demand performers on the international festival circuit and is a forme
Gottfried von der Goltz: Historically informed, emotionally enriched
Gottfried von der Goltz is a violinist, conductor, and artist of extraordinary insight. As the director of the Freiburg Baroque Orchestra, he has played a pivotal role in shaping the modern sound of historically informed performance, breathing new life into Baroque and Classical music with a blend of scholarship and sheer musical brilliance. Whether wielding the bow as a soloist or guiding an ense
Lerida Delbridge: A community of music
As Assistant Concertmaster of the Sydney Symphony Orchestra, violinist Lerida Delbridge is a vital cornerstone of our classical music scene. She also has a passion for chamber music as a founding member of the Tinalley String Quartet, which has performed internationally and been the recipient of numerous awards. She has recently taken on the role of artistic director of Hunters Hill Music, which b
Tom Gleisner AO: Blooming marvellous
It’s difficult to categorise Tom Gleisner, because he’s done it all. He’s a presenter, producer, director, writer, and actor, and even then that only scratches the surface of his talents. We first became aware of Tom thanks to The D Generation back in 1986, and as a part of Working Dog Productions he’s created comedy classics like Frontline and Utopia, panel shows like Have You Been Paying Attenti
Zubin Kanga: Cyborg soloist
Zubin Kanga is a pianist, composer and technologist, who has been at the forefront of curating and creating interdisciplinary musical programs exploring what it means to be a performer in the 21st Century. His multi year project, Cyborg Solosits, is unlocking new possibilities in music making through interactions with motion and biosensors, new hybrid instruments, interactive visuals, and AI.In th
Reginald Mobley: Singing Bach and speaking truth
Globally renowned for his interpretation of baroque, classical and modern repertoire, counter-tenor Reginald Mobley is best known for his performances of JS Bach and Purcell. He’s sung with the Monteverdi Choir, the English Baroque Soloists, the Philharmonia Baroque Orchestra and Early Music Vancouver, among many others, as well as at the coronation of King Charles III. He’s also an advocate for d
Kathryn Selby AM: Chamber music, big ambitions
A pianist dubbed both as a “formidable talent” as well as “Australia’s pre-eminent chamber music pianist”, Kathryn Selby has performed with orchestras and chamber groups around the world, most extensively throughout Australia and North America. For nearly 15 years she was the anchor of the Macquarie Trio, which made many recordings, several of which were nominated for the Best Classical Album ARIA
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